And you’ll find a bit of rolling shutter as well. Unfortunately, it utilizes a rather severe 1.8x crop, limiting wide angle shooting. Not surprisingly, the EOS R is capable of shooting 4K. At 100-40,000 (extendable to 102,400) its native ISO range is a bit limited but noise is fairly well controlled up to about ISO 3200. The EOS R’s output is, at default settings, somewhat sharper than the 5D IV’s-even though both cameras utilize an anti-aliasing filter. Colors are rendered accurately and look pleasing to the eye. Photo © Theano Nikitas Image Qualityįor the most part, the Canon EOS R’s image quality is very similar to the 5D Mark IV. We were impressed with how the R handled fine details and color reproduction. For $100, you’ll get a basic adapter for $200, the adapter includes the control ring found on RF lenses (more about that later) and the third adapter, which starts at $300, enables drop in filters such as circular polarizing and variable ND filters-all great options to have in a lens adapter, especially the adapter with the control ring. ![]() More importantly, a trio of mount adapters ensures compatibility with EF and EF-S lenses, although there’s no option for EF-M lenses. ![]() ![]() Priced at $2,299 (body only) or $3,399 for a kit with the new RF 24-105mm f/4 L IS USM lens, the R is joined by three additional native lenses: the RF 28-70mm f/2 L USM ($2,999), the RF 50mm f/1.2 L ($2,299) and the RF 35mm f/1.8 Macro IS STM ($500). Canon launched its 30-megapixel EOS R full-frame mirrorless camera this past September, shortly after Nikon announced its Z 6 and Z 7 models. Photographers looking to switch to-or complement their current kit with-a full-frame mirrorless camera now have a number of choices, and the market is certain to expand from here.
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